iname "*dpx" | while read f do mogrify -verbose -depth 10 -format dpx "$f" done Easydcp 1.2.0 support dpx sequences from Color and 16 bit tiff sequences.Convert DPX (changes endian type and dpx version)įind. Updated : This step is no longer necessary. You should check how it looks in a cinema and adjust your settings or make a 3D LUT. Update: Or you could copy the DCP to a linux ext3 harddriveįraunhofer EasyDCP assumes the DPX files are in the REC.709 2.2 gamma. To ingest a DCP on Doremi and Sony Cinema Server you can use a NTFS disk. Link to Fraunhofer EasyDCP Creator (mac/pc) Compare the frame count with the sound part, they should be the same. Choose the first image in the DPX sequence to make the picture part. These files can now be used to make a DCP with Fraunhofer EasyDCP Creator. All Tracks, Wave, multiple mono, 24 bits, 48 khz.In Soundtrack Pro: Drag the Prores file from browser to a Video track in a Multitrack Project.Update:Another option is to use Wave Agent and Audacity to do this
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Open the 24 fps conformed Cinema Tools prores file in Soundtrack Pro to export wav files (without pitch shift) Printing Density: Linear (0 Black – 1023 White).Change Render Dir to where you want to render.Import the 24 fps conformed prores file.Open the 24 fps conformed Cinema Tools Prores file in Apple Color to export a DPX sequence Make a copy of the ProRes file (or just rename it ….24 fps.mov) and open it in Cinema Tools.Update: To export a DPX sequence from After Effects follow this step by step guide. You may have to compensate that the picture gets darker. Note: Check that the DPX sequence from Color matches your monitor. 709 ProRes 422 (or 4444) with 5.1 sound to a standard DCP (DCI, 24 fps XYZ colorspace, 2.6 gamma, 5.1 sound). UPDATE: In Easydcp 2.0 you can make DCPs from (Prores 422) Quicktime files.Ĭonvert a short film in 1920×1080 16/9 25fps 10 bit Rec.
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